A night performance within the urban space.
An open sky space close to the streets and lights of the city, six dancers and almost no setting up. This is an hallucinating dance in front of bodies which touch each other without any restriction while the mouths deliver oral improvisations and some sort of beat-boxing without beat. These are reeled off meditations about the political art of caricature, humor and danger, comparative drawing time and dancing time.
BORIS CHARMATZ
Before becoming a dancer, Boris Charmatz was a table tennis player. Having entered the Dancing School of the Paris Opera, he has kept the game of speed and the art of feint. He begins dancing with Régine Chopinot (Ana and Saint-Georges), then joins Odile Duboc for 7jours/7villes, Projet de la matière and Trois Boléros (1996). A slow motion version of his duo-bolero with Emmanuelle Huynh was presented for the prefiguration of the Dancing Museum, 13 years later.
Director of the Centre chorégraphique national de Rennes et de Bretagne, he transforms it into a Musée de la danse.
